The L2 has been the go to for a lot of people for a very long time, I've been using it since it came out.
I'd say today, Slate FG-X, FabFilter Pro-L, Voxengo Elephant, Massey L2007, and iZotope Ozone Limiter are a bit better than the L2 in terms of transparency/harmonic distortion though. Exclusively at Plugin Boutique, get our very own Scaler 2 music theory workstation with iZotope's all-new Stutter Edit 2. Sure, you could attempt to use it that way, but there are better ways to do so which would be more effective.I've used it extensively and yes, it works as described. Well there are other popular limiters out there as I have suggested. When you buy products through links across our site, we may earn an affiliate commission. Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. Hence my preference for other limiters.you clearly aren't bothered about the attack and release shape, so those instance must be insignificant at best.However, if the limiter is reacting to a hard snare hit then I would want control over the attack and release character of the limiter - even if that snare hit only occurred once and the gain reduction was <1db I would want to be able to control the effect.It's too soft for my tastes, altho I would emphasize this is a stylistic consideration and not an absolute right-or-wrong thing. MV2 Dynamics Processor by Waves (@KVRAudio Product Listing): With high and low level compression controlled by a streamlined interface, the MV2 is a simple and flexible way to control your sound. Stuff that comes from radio stations sounds like it went through such a device. The L316 would be my first choice if I were to pick a L-series limiter on the master. I still use the L2 both hardware or software on my masters. I never go past 5dB's, that seems to be where you really start hearing the distortion and imaging narrow.IMO the L2 isn't even Waves best limiter. The dynamic range is thus compressed, pushing low levels up while leaving high levels as they were. Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. Not sure of the name, his English wasn't so good. MaxxVolume to me seems more like a "make the level as even as possible"-tool. I waited and waited,and waited till L2 was on a crazy sale,the result was like why is this thing considered so much better than L3 or the"low latency" L3LL? An infinitesimally short distortion would probably come out cleaner than a duck-and-pump from a lookahead limiter.If I followed your advice I would never have had any clients!Well my advice was under the pretence you'd already said 10 instances, you clearly aren't bothered about the attack and release shape, so those instance must be insignificant at best. OP might want to look at IK One, or bx_masterdesk. Most of the other more modern limiters have much more control over how they deal with transients and how the release shape works. Hosted by Nimbus Hosting. Kclip, Ozone, FFProL are a few that I like better on the Master. Sure, you could attempt to use it that way, but there are better ways to do so which would be more effective. Waves Infected Mushroom Pusher plug-in provides a straightforward and unique approach to dynamic processing that at first glance may seem a little basic, but scratch under the surface and you'll find this plug-in is a powerful tool that produces really musical results. IK's T-Racks has a Brickwall Limiter, that offers with a choice between several limiting characteristics.
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Code by Port Forward. Limiting more than a couple of dB is often a bad idea anyway, generally speaking.
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