However, monitor is not a true bypass; it picks off the signal after the input tube stage but before any pre-emphasis/de-emphasis.
© Part of this is because of the different tape formulations—if you can’t find the sound you want, you’re probably not trying hard enough.However, some people believe that the Master Tape is best on mixes, and the J37 on individual instruments, which brings up an important point. You can overload the virtual tape for effect but start with more conservative settings until you get a feel for how the plugins react to level.This is the more sophisticated of the two plugins—there are more options for altering the sound, including three different tape formulation “flavors” (Fig. For lack of a better term, these are “precision” plugins where a few degrees of control rotation can make the difference between something that sounds right and something that doesn’t.Both plugins have unique talents, but to summarize, when you want to get dirty and give either individual tracks or masters some true grit, the Master Tape excels. 15 IPS places the bass bump well within the audible range and gives a better high-frequency response with less distortion. To obtain the slightly duller effect of overbiasing (e.g., for source material with bright transients, like acoustic guitar with 80/20 bronze strings instead of phosphor-bronze strings), try +5 with 888 tape or +3 with the 811 tape.Figure 2: The image on the left is the 815 formulation with +5 dB of overbias. Waves and Abbey Road Studios present the J37 tape saturation plugin, a precision model of the very machine used to record many of the greatest masterpieces in modern music. And this is, after all, a plugin more suited to the tone connoisseur than the casual producer just looking for a quick, obvious fix. "Exploring the presets makes it obvious that the delay section is one of the most valuable parts of the J37" Exploring the presets makes it obvious that the delay section is one of the most valuable parts of the J37, expanding the sonic palette on offer from gentle saturation and colouration to wild delay effects.
If sophistication is more your style, particularly for mastering, the J37 provides more flavors and more options in a somewhat more polite package.Alternates every two measures, starting with no processing and ending with processing (16 measures total). BA1 1UA. 3 above). Dive into the sound and differences of the two emulations.Full disclosure: I didn’t like working with tape. However, 7.5 IPS can work well with lower-frequency sources, like kick and bass, if you don’t need the bass bump. With highly electronic music, which already pushes out a lot of highs and sometimes exaggerates imaging, I prefer the 815 formulation for its smooth, more controlled sound. Please enable JavaScript in your browser in order to make this website functional.Abbey Road J37 and Kramer Master Tape give the authentic sound of two classic tape recorders—without the drama of maintenance, variable tape quality, or high tape costs. If you load the default preset, you’ll hear the tape sound that most people want, but let’s dig a little deeper.Figure 3: Settings used to push rock bass into a more distorted sound, with less dynamics, so it jumps out more in a track.At 15 IPS, there’s a bump around 50 Hz—great for EDM kicks. However, it still provides what you need for that “tape echo” sound.One of the Master Tape plugin’s unique features is the monitor/repro switch. The EMI 811 formulation was next; it cut back on the distortion a bit, which opens up more clarity for the high frequencies. Repro gives the tape sound because you’re monitoring off the head. At 7.5 IPS, distortion is most apparent with the 811 tape.At 15 IPS, there’s a fairly mild low-frequency bump at 100 Hz, and a stronger one around 40 Hz; at 7.5 IPS, the 100 Hz bump shifts down to 50 Hz, while the 40 Hz low-frequency bump moves down almost out of the audible range, so be careful if your monitors don’t go down that low to make sure you’re not putting too much low-frequency energy onto your track.
They also allow for some very interesting FX tones when using the J37 for a more lo-fi effect. This is different from the distortion obtained by smashing the input level harder.You also have a complete tape delay section, which is great for classic tape slapback and echo effects. Pepper’s Lonely Hearts Club Band), and the Kramer Master Tape, which models Ampex’s vintage machines.
With the 888 tape, the nom and +5 settings act as you’d expect, but the +3 setting has some extra high-frequency pre-emphasis. Both plugins also allow for bias adjustments, although the J37 is the more flexible of the two.With either plugin, you need to be careful with input levels. Future Publishing Limited Quay House, The Ambury, With the 811 tape, the nom and +3 dB settings also act as expected, but this time, the +5 dB has some added pre-emphasis to compensate.
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