atlantis directed by valentyn vasyanovych

He was born in 1971 in Zhytomyr, Ukraine and graduated from The National University of theatre, cinema and television of Karpenko-Kary as cinematographer (1995) and documentary filmmaker (2000), as … 09/09/2019 09/09/2019 Variety and the Flying V logos are trademarks of Variety Media, LLC. Read Next: ‘You Never Had It: An Evening with Charles Bukowski’ Review: The Author and Poet, Lubricated and in Full Cry 1971) is an award-winning director and producer from Zhytomyr, Ukraine. There is severe beauty in these images, albeit of a funereal kind: As little dialogue as Vasyanovych’s script allows, there’s enough to convey that this whole section of the country may have been rendered permanently uninhabitable by toxic pollution from destroyed industries and other aftereffects of war.Almost always regarded at a distance both physical and emotional, the characters here are just going through the motions of existence, barely alive. The ironically titled “Atlantis” may well alienate some viewers with its austerity, but those willing to tough it out will feel rewarded. A strikingly bleak vision of a near future in which Ukraine has won its war with Russia but been left in ruins, this almost abstract drama by multi-hyphenate Its cryptic, rigorously minimalist progress will test the patience of many viewers and present a challenge for commercial placements. Interview: Valentyn Vasyanovych • Director of Atlantis “In Ukraine, you have to be an optimist” VENICE 2019: With the help of producer Vladimir Yatsenko, this time providing interpretation, Cineuropa chatted to Valentyn Vasyanovych about Atlantis, named Best Film in this year’s Orizzonti . A bombed-out Ukraine of the near future takes first steps toward postwar recovery in Valentyn Vasyanovych's strikingly austere Venice prize winner.“It took you 10 years to cleanse this region of Soviet propaganda and myths,” says one character to another in “Atlantis,” going on to suggest that the devastation now left behind may never be “cleansed” at all. Buy Tickets. Atlantis (Ukrainian: Атлантида) is a 2019 Ukrainian drama film directed by Valentyn Vasyanovych. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Valentyn Vasyanovych is a Ukrainian director, producer and DOP. He was born in 1971 in Zhytomyr, Ukraine and graduated from The National University of theatre, cinema and television of Karpenko-Kary as cinematographer (1995) and documentary filmmaker (2000), as … With Atlantis, director Valentyn Vasyanovych (also editor and cinematographer here) has created a dystopian nightmare out of the Ukraine’s current political and social quagmire with Russia. Valentyn Vasyanovych (b. The actors (all chosen for their real-life experiences in the ongoing war) are not asked to convey much individual personality, yet their mundanity carries its own poignance.As cinematographer and editor in addition to writer, director and producer, Vasyanovych is very much in charge of a vision whose aesthetics are rigidly controlled. Interview: Valentyn Vasyanovych • Director of Atlantis “In Ukraine, you have to be an optimist” VENICE 2019: With the help of producer Vladimir Yatsenko, this time providing interpretation, Cineuropa chatted to Valentyn Vasyanovych about Atlantis, named Best Film in this year’s Orizzonti . Valentyn Vasyanovych is a Ukrainian director, producer and DoP. When Sergiy comes across a car in flames, from which he pulls one still-breathing woman, the emergency scarcely raises the film’s pulse — confronting death has become routine, almost banal.Yet that numbed, seemingly hopeless perspective shifts near the end, when a graphically depicted act of spontaneous mutual need marks Sergiy and Katya (There’s humor around the edges of “Atlantis,” notably in the Big Brother-like factory closure announcement scene (which deploys triumph-through-industry clips from a Dziga Vertov film as backdrop). After accompanying them on their immediate rounds a bit, he offers his services to help the cause on an ongoing basis.“Atlantis” consists primarily of prolonged, stationary, symmetrically formal widescreen compositions of activity within various harsh vistas and decrepit interiors. A debut of remarkable formal precision, Valentyn Vasyanovych’s Atlantis is an urgent yet highly controlled dispatch from the wartorn Donbass in Eastern Ukraine. Also screening March 14 at 6pm, OMSI. At the 76th Venice International Film Festival, the film won the … Like much of “Atlantis,” this is a sequence sans backstory, musical accompaniment or even character names.Then a title informs us that it’s 2025 in Eastern Ukraine, “one year after the end of the war.” Sergiy (Now alone, and tacitly blamed for his pal’s violent exit, Sergiy is dispatched on a long-distance errand driving an ex-military vehicle into “the zone.” He’s soon rerouted by one of many crews trying to eradicate remaining Russian mines. Depicting a world in which Sergiy’s statement, “I used to live like ordinary people,” seems impossibly nostalgic, it accepts a greatly diminished local future whose fatalism can be metaphorically applied to whatever larger global circumstance you choose. The rare handheld traveling shot, as when Sergiy explores the remains of a bombed-out apartment building, offers little relief. 2019.

Our site uses technology that is not supported by your browser, so it may not work correctly. in Ukrainian and English with English subtitles. Atlantis. 106 min. By visiting our website or transacting with us, you agree to this. In Atlantis [+ see also: film review trailer interview: Valentyn Vasyanovych film profile], chosen as the Best Film in Venice’s Orizzonti, Valentyn Vasyanovych goes all the way to the future, showing Eastern Ukraine in 2025. Then he encounters two stranded volunteers involved in the business of locating, identifying and properly burying soldiers and other war casualties found in unmarked, often mass graves. Valentyn Vasyanovych’s “Atlantis,” a dystopian film set in war-torn Ukraine, won the Crystal Arrow Award of the 11th edition of Les Arcs Film Festival.. Directed by Valentyn Vasyanovych. Like some kind of unholy amalgamation of Andrei Tarkovsky’s Stalker and Sergei Loznitsa’s 2018 film Donbass, Atlantis imagines a futuristic, liberated Ukraine that nevertheless is in ruins.

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