The triumphant little family that had come so far in the previous two years to this precipice, showing what the mettle that had made us really was one last time. In 1980, it won Grammy Awards for Album of the Year. It was the first time I had ever worked with a metronome or drum machine. We used to play clubs and casuals and the like to make a living before the contract and we never mixed original and cover tunes on a date really. This was accidentally suggested by Chris’s brother in-law at the time, Bill Harrison, who was visiting the sessions. The Official Facebook Page of World Renowned, Grammy Award Winning, Multi-Platinum, Drummer, Vocalist, Songwriter, Producer. We finished likely going back into whatever song we came out of and took a set break.I went running after Chris as he went to the bar to get refreshment during the break saying “Chris…MAN…What was that?….That’s INCREDIBLE…We’re gonna be HUGE!” I knew it was a hit…great song great track. It was only included because it was Mo Ostin’s favorite song and he was president of the label. We might go from say “Boogie Man” by K.C. No click track…just the band doing what we did well.The fourth song is “Never Be the Same.” Another favorite for sure. We were drifting apart and losing our moorings as a band at this point, not being able to get “Sailing” and just the pressure of being a little local group from Texas in the big Warner Bros. The track is fine…but it was never much of a song. We really didn’t hear the finished product until the fall of 1979. What he played…wasn’t subtle enough. “FUNdamentals of Drumming for Kids” uses a variety of fun, unique teaching techniques that mimic the curriculum used in the elementary school classroom. We’ll pick it back up and play out.” So that was how that bit of the arrangement happened.Truly the one thing I learned from the first demo session I ever did with the guys, was that you never stop even if you think it’s a mess. Dallas Woodrow Taylor Jr. (7 April 1948 – 18 January 2015) was an American session drummer who played on several rock records of the 1960s and 1970s. We were just hanging out and Chris tuned to his open tuning and started playing around with that riff. These little things don’t matter in the end it’s so minute.So what are we up to, song number seven I guess? One of my favorite songs but we did end up cutting this one to the drum machine and it just is soul-less to me. Christopher Cross also won Best New Artist. Drum wise it’s one of my better moments I think.The third song is “Spinning.” Strangely, this is by far my favorite track on the LP. Chris’s vocal is weak compared to the demo and it just never really did what it could’ve. “Say You’ll Be Mine.”….I wish I knew about publishing then I’d be rich. He was reluctant because he didn’t really have anything to do with it. I gave him the line “Say You’ll Be Mine.” We were rehearsing at a club during the afternoon in Wichita Falls, Texas.
He wanted to start the song with a Chorus as he’d never done that before. The song shared the same lyrical theme “got a long way to go” The drummer Chuck Rogers was a huge influence on me coming up and the figure he played on the kick drum was the same after they sang “got a long way to go.” I couldn’t resist taking it and putting on “Ride Like the Wind.” To me it sets the song apart and is very signature. He was reluctant because he didn’t really have anything to do with it. Tommy’s style perfectly fits the style of this soft rock gem. Chris’s vocal is weak compared to the demo and it just never really did what it could’ve. It is available on Amazon.com, Modern Drummer.com and MusicDispatch.com. I brought it up because I thought it might be a problem. The Official Facebook Page of World Renowned, Grammy Award Winning, Multi-Platinum, Drummer, Vocalist, Songwriter, Producer. The string intro is really the strings from the middle tacked on to the beginning as well.
Just the four of us.
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