otto link tone edge

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They did, on rare occasions, make larger tip openings, such as a 7 or 8. They had a serial numbers on them identical to the later TONE MASTER mouthpieces. Internally it is almost identical to the Master Link Model.Both the MASTER LINK and the FOUR**** MODEL did not have a ligature ridge on top of the mouthpiece like all Otto Links to follow.

They did have serial numbers. Instead of using the longer facings with smaller tip openings (like the NY models), Otto Link started producing their mouthpieces with medium facings, allowing for the bigger tip openings.The first versions had a very shallow roll-over baffle (like the NY Otto Links).

No USA number on the side 3. Unfortunately, if a specific size or model is not listed, we do not have it available at this time. They had a larger font number stamped on the side of the body like the Early Babbitt models though. This is ‘limited edition’ model.The Four Star Model used a strap type ligature which would become a trademark of Otto Link mouthpieces. This is where you will find all of our discontinued, used, demo, blemished and factory second pieces.

So today, I'm playing on another old mouth piece of mind. Larger tip openings started hitting the market this time as well; these were made up to a size 9.From left to right:  1. @roland_us

They have a dark mellow sound.Then they dropped the back lines around the shape. However, these mouthpieces still retained the very long and deep facing, which curtailed their responsiveness.

The tip opening was marked on the table.

They had more material in the baffle and floor than any other Otto Link ever made, creating a unique sound.

Gold does not adhere well to raw brass so an intermediate material is needed.

They were the best sounding of all vintage Otto Link ligatures due particularly to the reed plate design which was quite thin.In 1955 Otto Link moved to Pompano Beach, Florida. The first pieces had a very long bite plate.

Though they also made a H.S.

Joseph Allard was a professor at the Juilliard School of Music.Otto Link started putting nickel plating under the gold, instead of silver. USA version with number on the side:Here is an Ad showing the mouthpiece Lineup at the time of Otto Link Tone Edge mouthpieces. Check back often. The reed contact plates were much thinner, allowing the reed to vibrate more freely.

Notice now that larger tip openings are offered:Otto Link had two similar styles of ligatures for the NY and Florida mouthpieces.

The hard rubber tenor pieces are darker sounding and have an almost concave area directly behind the initial baffle. It's an olin Tone Edge. Otherwise these two models are identical.These had an elongated (flat) roll-over baffle.

The interior is also very similar to the Tone Master. Later ligatures did not have this feature.Dexter Gordon played a Link of this era through most of his later years:Through the years, Otto Link provided a refacing service to their customers. This generated less buzz to the sound, but increased the warmth, fatness, and projection that made Otto Link famous.The ligatures were characterized with a T stamped on the screw head for tenor saxophone ligatures, and an A for alto ligatures. The one shown below still has New York written on the shank and the serial number on the side.

The top of the thumb screw now read, OTTO LINK.The first models had four smaller digits for a serial number.The later models had three larger digits:Some of the musicians that used the Otto Link TONE MASTER included:These hard rubber mouthpieces were made in conjunction with the TONE MASTER.

Interestingly, they tended to play best with small tip openings. Both Coleman Hawkins and Ben Webster switched to this model.Unique facings of this mouthpiece include one designed for Coleman Hawkins which said HAWKINS SPECIAL on the side and FACING NO H S on the table.

Pictured are members of the founding family of JJ Babbitt in front of the manufacturing site for Otto Link, Meyer and other mouthpieces. Another is the VIDO MUSO model.Here are some ads from this period showing the four star model:In 1936 the first hard rubber mouthpiece by Otto Link started production.

Like all the previous TONE MASTER and SUPER TONE MASTER ligatures, the first run of had a cast support built into the ligature body giving the screw more thread contact. On the left side we see the Tone Master, NY Super” Tone Master and the Florida Super Tone Master box.

The first versions had the tip opening stamp on the table. They had the largest chamber in the history of rubber Otto Links, and the lowest baffle. On the right side we see three NY vintage hard rubber mouthpiece boxes, with a Florida hard rubber mouthpiece box on the bottom.These mouthpieces, in both metal and rubber, have less material in the floor of the mouthpiece than the more vintage models, producing a darker sound. They had “EBURNATED BAR” written on the top/body of the mouthpiece and were a budget line for Otto Link, like a student model. You could send in a mouthpiece to get the tip opening changed or copy the facing from another mouthpiece.This version of the Slant Signature Tone Edge added USA to the shank.

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