Sylvia remained in Paris with her daughter for the duration of World War II. From 1952 to 1980 he shared much of his life with a female friend, Jean Barclay, for whom he felt a deep brotherly affection. He played lightly and melodically, and when he performed a ballad he used all the rhetoric of emotion, driving to the heart of a song's romance.Athleticism was there as well, and when Mr. Grappelli was soloing on uptempo material, he understood what a good improviser must deliver: the repetitions, the permutations of ideas, the quotes and tricks that show a musician is alive and thinking.Mr. It was so well received that the quartet decided to continue playing together, supplemented by a guitarist friend of Reinhardt's, Roger Chaput. Grappelli cried intermittently for two years after her death; he kept a lock of her hair and an oil portrait of her for the rest of his life. At 19, he joined the band at the famous Parisian club, Ambassadeurs, and soaked up the music of Paul Whiteman, the Gershwins and others.Again as a pianist, he joined Gregor and Gregorians, a Parisian dance band that toured France, and in 1931 began working with the band leader Alain Romans as a violinist and alto saxophonist in the Montparnasse district of Paris.The Gypsy guitarist Django Reinhardt walked in one night and played a bit; two years later, still ''looking for a violinist to play hot,'' he ran into Mr. Grappelli again when they were playing in bands booked opposite each other at a hotel on the Champs-Elysees.Between sets, while Mr. Grappelli was trying out a new string, Reinhardt began to accompany him. Father and daughter were reunited in 1946 when Evelyne travelled to London from France to stay with Grappelli for about a year. We slept on the floor, and often were without food. Sylvia remained in Paris with her daughter for the duration of World War II. He died in Paris after undergoing a hernia operation. They liked the results and continued playing together during their breaks.
A slight stroke in 1993 forced him to cancel one month of performances, and in 1994 he had surgery to replace an artery in his neck, which kept him off the stage for two months.He is survived by a daughter, Evelyne, and a grandson, Gilles.For the most part, Mr. Grappelli spent time on the road with his trio. He died in Paris on December 1, 1997. When his improvisations picked up velocity, there seemed no break between him and his instrument, and melody after melody poured forth in an unstoppable flow. In 1969 he made his first appearance in the United States at the Newport Jazz Festival in Rhode Island, where his performance was drowned out by the first of several riots by drunken college students that eventually shut down the festival. He played quiet, happy music and, even when his health and memory were failing him, he seemed to have access to a reservoir of joy and intelligence. Stephane Grappelli, the elfin, witty and urbane jazz violinist best known for his role in founding the Quintet of the Hot Club of France, died yesterday in a Paris clinic. A self-taught violinist, Grappelli came into his own with a style mixing He absorbed the artistry of Louis Armstrong, along with that of Bix Beiderbecke and the violinist Joe Venuti. In 1934, at a cafe in southern France, he encountered the Belgian gypsy guitarist, Django Reinhardt. The other band members returned to France, and the war essentially destroyed the ensemble for good; there were periodic attempts to bring it together again, but in 1953 Reinhardt died.That didn't stop Mr. Grappelli, who once said that he was like a shark; he had to keep moving.
He went on to record with young jazz musicians including Gary Burton and Jean-Luc Ponty. And at various times he brought together groups based on the instrumentation of the Quintet of the Hot Club of France.Among his albums are ''Live at Carnegie Hall,'' ''Jazz 'Round Midnight,'' ''Plays Jerome Kern,'' ''Tivoli Gardens,'' ''Satin Doll,'' ''Stardust,'' ''For Django'' and ''Plays Gershwin. They recorded some titles in London with the "English Quintette" during January and February 1946 for EMI and Decca, using a rhythm section consisting of English guitarists Jack Llewelyn and Alan Hodgkiss together with the Jamaican jazz bassist Throughout the 1950s, Grappelli made occasional visits to the recording studio, but the opportunities for a swing violinist of his generation were becoming limited; despite attempts to modernise his style, Grappelli was never particularly interested in the In April 1973, Grappelli performed with great success during a week at Grappelli played on hundreds of recordings, including sessions with Grappelli made a cameo appearance in the 1978 film Grappelli continued touring with great success up to the last year of his life; in 1997, although his health was by now poor, he toured the United Kingdom in March and then played concerts in Australia and New Zealand, giving his last public performance in In May 1935 Grappelli had a brief affair with Sylvia Caro that resulted in a daughter named Evelyne.
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