Antonio Adolfo, pianist, composer, arranger, band leader, and educator, honors the alley in Rio de Janeiro ["Bottles Alley," because of the thrown down bottles in protest of the loud music and conversation] where in his youth in 1962 he received his education in new music, hearing jazz, samba, and bossa nova coming out of four nightclubs.
The budding pianist and composer recalls taking a bus with his 3D Trio companions to perform a set at the bar in 1964.
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He eventually was allowed into the clubs after attaining authorization from the Juvenile Court for his newly formed trio to perform.
The album is perfectly delightful for winding down at the end of the day.
“Bottles Bar was like a ‘notable peoples’ club!”On Samba Jazz Alley, Adolfo has the luxury of performing with a core ensemble that features the talents of some of the best Brazilian jazz musicians of their generation. Samba Jazz Alley is the latest chapter in a series of releases on Adolfo’s AAM label that have explored a wide range of stylistic variants of Brazilian music. While raised in Rio, trained under Nadia Boulanger, collaborated with a host of Brazilian musicians, and accumlating a discography that includes choro and bossa nova, his approach is always swinging jazz with gentle Latin jazz flavorings.
Your recently viewed items and featured recommendations Tue, Sep 15 - Wed, Sep 16, 2020 "Two things remain consistent at all her shows though: her throaty but cushiony voice, which has a sort of hard-mattress comfort to it that’s part Bonnie Raitt, part Etta James and a little Amy Winehouse; and her band’s rollicking New Orleans flavor, driven home by dueling horn players and a bayou-thick standup bass." The celebrated Brasilian musician, composer, pianist and pedagogue Antonio Adolfo shows that it is possible to be nostalgic without having to be sentimental on Samba Jazz Alley by going to a place when (and where) music fired up his imagination. Your Amazon Music account is currently associated with a different marketplace. Reviewed in the United States on September 27, 2019 The three-horn frontline of trumpeter Jessé Sadoc, woodwind artist Marcelo Martins and trombonist Rafael Rocha provides a muscular ensemble sound that’s perfect for this hard-hitting genre.
On Samba Jazz Alley is the latest in a series of albums on his AAM label that have explored variants of Brazilian music Adolfo was just a teenager in Rio de Janeiro when bossa nova began to take over the airwaves.
Not content to spend most of his career backing vocalists, the pianist and many of his peers began crafting a more rhythmically robust instrumental interpretation of the lithe and flirtatious bossa. Influenced by the Bebop, Soul Jazz and West Coast trends that ruled the day in the U.S., the potent result was coined “Samba Jazz.” The movement experienced a surge of popularity thanks to the emergence of such soon-to-be-famous artists as Sérgio Mendes, Moacir Santos, The Tamba Trio, Elis Regina, Leny Andrade, Raul de Souza and… Antonio Adolfo.Samba Jazz Alley is the latest chapter in a series of releases on Adolfo’s AAM label that have explored a wide range of stylistic variants of Brazilian music.
Antonio Adolfo, pianist, composer, arranger, band leader, and educator, honors the alley in Rio de Janeiro ["Bottles Alley," because of the thrown down bottles in protest of the loud music and conversation] where in his youth in 1962 he received his education in new music, hearing jazz, samba, and bossa nova coming out of four nightclubs. Samba Jazz Alley is the latest chapter in a series of releases on Adolfo’s AAM label that have explored a wide range of stylistic variants of Brazilian music.
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A particularly mesmerizing take is the gorgeous bossa ballad “Tristeza De Nos Dois” (The Sadness of the Two of Us), featuring one of the song’s three co-composers, the legendary harmonica player Maurício Einhorn, in the company of Gabriel Grossi, Brazil’s current harmonica sensation.Samba Jazz Alley is another triumph for Antonio Adolfo and a landmark recording in the still evolving Samba Jazz movement.
Rio de Janeiro native Antonio Adolfo was just a teenager in the early 1960s when he became part of the bossa nova revolution that was sweeping Brazil and the rest of the world. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. Solos, as with trombone [Rafael Rocha & Serginho Trombone], harmonicas [Mauricio Einhorn and Gabriel Grossi], trumpet and flugelhorn [Jesse Sadoc], saxophones [Marcelo Martins], and flute [Marcelo Martins] cement the album in jazz. Bottles Bar, the alleyway’s main venue, is reputed to have showcased over 100 of Brazil’s most noted musicians and vocalists of the day.
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